Hi! It’s so strange to be in the hot seat instead of asking the interview questions… but here I am. Your intrepid GeekMom correspondent is ready to dish on what I geeked out about most when writing my first novel, Updraft, which comes out (::checks watch::) today (!) from Tor/Macmillan.
A little bit about me: I’ve been blogging for GeekMom for almost two years. I’m a book geek, a travel geek, a tech and nautical geek, a technology consultant, and my geek co-star venn diagram merge point is somewhere on the Spike-10th Doctor-Stacker Pentecost-Lucy Liu-Mal Reynolds axis.
I’m first and foremost an author, with short fiction in Asimov’s, Beneath Ceaseless Skies, Tor.com, and Nature Magazine.
Updraft is the first of three novels I’m writing for Tor. Here’s the short pitch:
A city of living bone rises high above the clouds, its past lost to legend. Danger hides in the wind. Laws have been broken. A great secret must be exposed.
Welcome to a world of wind and bone, songs and silence, betrayal and courage.
Essentially, Updraft is the story of Kirit Densira, her friend Nat, her mother Ezarit, and how the consequences of a broken law change their world. There are monsters too, free of charge, and plenty of action. But there’s a deeper layer, about society and environment, economics, politics, and freedom. About being heard, and listening. And about what society values and what it throws away.
Also, there a lot of man-made wings.
So what did I geek out about when writing Updraft?
Wind: I consulted with cloud and weather experts, read everything I could about the way winds behave at high altitude, and threw myself into the research—literally. I went indoor skydiving to get a sense of how it felt to fly. I also spoke with friends who hang-glide, and pulled on my own experiences as a sailor. One friend pointed out that the taller a natural feature is, the stronger the updraft winds can be—and that was when so many things slid home.
Wings: The wings I wanted for Updraft had to be made from the supplies at hand: bone, silk, and tendon. I looked through plans for various wing designs over the centuries. I researched the history of solo flight attempts. And I grabbed several engineers to whom I’m related and made them check things over too. I also developed a small obsession with wingsuit flyers like Jeb Corliss.
Bridges: I love them, and have since long car trips as a kid. From a distance, they look like creatures rising out of the hills, or over the ocean, all metal spine and cables. I love the story of the Roebling family, who built the Brooklyn Bridge. And just about any rope bridge over a river is an irresistible force. So when it came time to talk about the city’s bridges, which are built of sinew and fiber, I wanted to make sure they really felt as if they could bear weight, as well as be obvious control paths throughout the city. I wrote about the process over at GeekDad yesterday.
Singing & Memory: Those who live in the towers above the clouds have constructed ways to avoid carrying too much with them as they rise higher. They pass on many important details, like laws and cultural history, through singing. While some members of their culture do keep bone tablets (mostly small and light) with information on them that’s too complicated to pass on in a song, most of the citizens sing what they need to know—and display that knowledge at various points in their lives during tests and rituals at Allsuns and Allmoons. Singing and memory are twined for me—when I hear something, I can remember it, almost word for word, especially if it’s set to music. I geeked out over pre-printing press cultures and singing histories, as well as the way information is passed through history.
[redacted]: There are other things I geeked out about for the book—one that left my shins bruised while I researched it—but they’re spoilers. You’ll have to read Updraft to find out.
Liked it? Take a second to support Fran Wilde on Patreon!