Today’s guest on Geek Speaks… Fiction is author Aliette de Bodard.
Aliette de Bodard lives and works in Paris, where she works as a System Engineer and herds a toddler nicknamed “Snakelet”. In her spare time, she writes speculative fiction: She has won two Nebula Awards, a Locus Award, and a British Science Fiction Association Award. Her novel The House of Shattered Wings is out from Roc/Gollancz this month.
Manga, anime, and my writing
My writerly influences tend to the eclectic: I have a tendency to read everything (including the back of the toothpaste package if I get bored), and my childhood was filled with a mix of books in all genres, bandes dessineés, movies—and manga, which I sneak-read because my parents weren’t overly keen on it (they’d caught a bit of the Ken the Survivor anime on TV and decided they didn’t want me exposed to that kind of graphical violence, so I couldn’t have any manga or watch any anime). Needless to say, I felt like trying both anyway!
Below are my five influential manga/anime and how they impacted my writing and my most recent novel The House of Shattered Wings (out August 18th from Roc in the US, August 20th from Gollancz in the UK).
- Black Jack (manga): It’s probably a good thing that my parents never actually opened the Black Jack mangas I was so fond of, since they might have had quite a few surprises about graphically explicit… Featuring the adventures of a blackmarket surgeon and his precocious adopted daughter, and hovering between body horror, black humour, and serious ethical dilemmas, this has had a lot of influence on me—notably teaching me a lot about creepiness and unease and how effective they are when deployed against the background of everyday life; and there’s plenty of dark and creepy in The House of Shattered Wings, from people drinking the blood of angels to shadows that slither just out of sight, just out of reach…
- Sailor Moon (manga): Another manga I found when young—one of the few carried by my (small) local bookshop. I actually had a period of feeling ashamed about having read it because it felt so girly to me, but I came back to it years later, when Takeuchi Naoko released the new editions, and was genuinely surprised to still find it excellent. It’s about magical girls, reincarnation, and time travel, and I loved the mythic undertones to the whole saga (also, Sailor Neptune and Sailor Uranus are the best). It’s taught me quite a few things about merging science fiction and fantasy in my own fiction—The House of Shattered Wings mixes a post-apocalyptic setting (a devastated Paris with nuked monuments where people struggle to survive) with the presence of Fallen angels and magic, and I think the merge of genres makes it a much stronger one than the pure urban fantasy it started out as.
- Cowboy Bebop (anime/movie): To the best of my recollection, I actually watched the movie of this first, and was so struck with the aesthetic that we decided to watch the rest of the series. And I wasn’t disappointed: I love the run-down atmosphere of the series, and most of all the soundtrack, which is unusual for an SF series but just brilliant. It made for great listening when I’m writing!
- Revolutionary Girl Utena (manga/anime/movie): I watched this one on the recommendation of Yoon Ha Lee, and it blew my mind away. It’s a freaking effective deconstruction of tropes, rpm fairy tales to gender roles to power dynamics. And the ending still makes me weep every time I get to it. The quality isn’t great (lots of recycled animations for scenes); the plot meanders a bit and can get repetitive, and there are a few triggery bits, and yet… and yet for all its flaws it’s got a freshness and an energy that drags me along every single time. It’s an object lesson that a thing doesn’t have to be technically perfect to grab the imagination of the audience (though of course as a writer I still angst over reaching perfection every single time—guess I can’t help it!)
(And in case you’re wondering: Yes, I own the movie and the manga too 🙂 )
- Full Metal Alchemist (anime/manga/anime): It’s hard to encompass the impact Full Metal Alchemist had on my life. I watched the first anime, which I found a bit disappointing; checked out the manga and then the second anime—and now own all volumes of the manga (a pretty hefty space investment for my small house). It’s a meld of wonderful worldbuilding with an original magic system (alchemy and the principle of equivalence), a wonderful cast of memorable characters from naive Al to ambivalent Greed (and badass general Olivia Armstrong will always have a special place in my heart 🙂 ), and an ending that delivers both on an epic scale and on a personal one (Ed’s final choice is inevitable but wonderfully done). I learnt a lot from it about entwining plot lines, and doing badass characters: My Fallen angels and my heads of magical factions in The House Of Shattered Wings owe more than a passing debt to Arakawa Hiromu.
And I was very struck with the redefinition of alchemy into a non-potion-based magical system, and re-used the word in my book as a homage to the series: In my world, alchemists are specialized in re-using the breath and body parts of Fallen angels to provide magical energy to practitioners so they can cast spells—so not FMA‘s alchemists, but definitely at the centre of things.
Those are my top five, but it was hard to limit myself to just these. (I wanted to mention Le Chevalier d’Eon, Ergo Proxy, Black Butler, Haibane Renmei, and so many others that I vividly remember!)