Categories: BooksGeekMom

This Is SO Good: ‘Parable of the Sower’ In Concert

I’m spending a rainy morning re-reading Octavia E. Butler’s Parable of the Sower. There’s a lot to do around the house and for work, but I don’t care. My ears are filled with words and song, and I want to revisit Butler’s masterful and wrenching post-apocalyptic vision, thanks to folk musician Toshi Reagon and the team of performers who are helping bring Butler’s work to a new audience.

Photo: Hachette (trade reprint, 2000). Buy the book at Amazon.

Published in 1993, Parable of the Sower was a 1994 Nebula Award nominee. Twenty-two years on, the story doesn’t just resonate and shock. It grabs hold and shakes, yelling “Wake up!”

In Parable of the Sower, Lauren Olamina, a young woman with hyperempathy who is the daughter of a visionary preacher, chronicles her journey through a destroyed L.A. and out into the world.

“The first time I read Parable, it was so terrifying,” folksinger Reagon told her audience at a recent concert. “I had to put it down.” Luckily, Reagon picked the book back up again.

Reagon and her mother, Dr. Bernice Johnson (Sweet Honey in the Rock & Freedom Singers co-founder), have written a glorious rock opera and set Parable of the Sower to music. Her musical interpretation of Parable of the Sower premiered at the 2015 Under the Radar festival and is currently making limited appearances as a work-in-progress. Parable of the Sower features outstanding performances by cast members Bertilla Baker, Helga Davis, Karma Mayet Johnson, Tamar-kali, Morley Kamen, Marcelle Davies Lashley, Josette Newsam-Marchak, Carl Hancock Rux, Shayna Small, and Jason C. Walker. The musicians are Robert Burke, Fred Cash, Juliette Jones, and Adam Widoff. (Source: http://toshireagon.com/trwp/projects.)

Program for Parable of the Sower, from the Annenberg Center performance on 10/02/15. Image: Fran Wilde

A mix of spirituals, rock, soul-searing solos, and powerful choruses and harmonies, Reagon’s Parable of the Sower is nothing short of transformative. At the Annenberg Center for Performing Arts, where I saw the concert, performers wove the intimacy of the setting and the power of connection through the audience with voice, movement, light and darkness, and eye contact. The music is exquisite. The voices linger long after the theater is quiet.

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Reagon said during the performance that Parable of the Sower will be a full opera. Should it, or the work-in-progress concert come to a venue near you? Go.

Concert photo by Fran Wilde.

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This post was last modified on December 4, 2017 8:40 pm

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