Geek Speaks..Fiction by Erica Heflin

Erica Heflin, photograph copyright Erica Heflin
Erica Heflin, photograph copyright Erica Heflin

Today’s guest writer is Erica Heflin.

A classic geek, comic book and children’s fiction writer, Erica J. Heflin maintains a questionable degree of sanity in her household of small children and unruly animals. She finds working with geckos and snakes to be much easier than managing small people, though it’s easier to find superhero attire for the latter. Her comics works have been published by GrayHaven Comics, Inverse Press, Arcana, Bronco Ink, Pilot Studios, Alterna, and Zenescope Entertainment. She enjoys the freedom of small press, struggles with social phobias that make conventions as stressful as they are enjoyable, and identifies as bisexual.

Inner Minds

I’ve never been able to let go of the characters or the story, whether it be Thundercats or Star Trek or Marvel comics. And a lifetime of that love morphed into a career.

I was running on a beach.

ThunderCats, ho!!!

I was three years old and my mother ran breathlessly behind me. She was screaming my name, trying to get my attention, but I was no longer Erica Heflin. I was Cheetara and I needed to run.

I was five years old when I got so far into Cheetara’s head that the rest of the world didn’t matter. It might have been common for my age, but it was something that I never outgrew. It made me an oddity among the children who had once been my close friends.

By middle school, I was undoubtedly more interested in Star Trek (The Next Generation) than I was in dating or dances. A middle school science teacher had a Trek poster on her wall. Every day I’d stare at it and mentally work on the next story. It was fan fiction before the internet exploded with it, and I would carefully type on my old word processor and print out stories, but the internet was slow and the stories were just for me. I loved getting into the characters’ heads.

When high school rolled around, I was a self-realized nerd. I wore t-shirts in men’s large sizes, because that’s all anyone locally sold, and was likely all that was generally available. These shirts professed my love for comics, and in particular, the X-Men. That goofy cartoon with the exaggerated and often terrible accents and dialoguing encouraged me to dig into the back issue bins in the local comic shop, and soon I was reliving the lives of the all new, all different X-Men.

An X-Files t-shirt was the catalyst for many high school friendships, as the other local geeks and nerds loved the show as much as I did. The t-shirt provided an opportunity for dialogue among an otherwise sometimes shy or quiet community. These friends introduced me to a different form of storytelling. Tabletop roleplaying games.

At first it was all Marvel, complete with FASERIP, but secretly I began to play 2nd edition Dungeons and Dragons. This was during a time when there was still a lot of stigma over the game and there were worries that satanic cults were using it to manipulate the minds of youths across the nation. For me, it simply served as another means of getting into a character’s head, directing them, and directly participating in the storytelling process. It’s a collaborative oral storytelling style that remains very powerful to this day.

I was truly hooked.

I’ve found other things that I am deeply passionate about. I love animals of all forms, with fur and scale alike. I adopt, rehabilitate, and work with many species. Like the story, it’s something I could never carve out of myself. A love of animals inhabits me as deeply. For a long while, I thought they would become my career. I’ve worked independently and at a zoo, and am deeply fulfilled by my work.

But about five years ago I realized that while my work was wonderful, I didn’t feel complete. My family and work life were enjoyable, but there were a thousand little voices in my head—characters in stories that I needed to tell.

It began with The Gathering, a small comic book anthology from GrayHaven Comics. I pitched a two page concept, was accepted, and then was introduced to artist George Amaru, who drew my story with incredible care and skill.

From there, the stories kept coming.

A character card from Flesh of White #2's Kickstarter page
A character card from Flesh of White #2’s Kickstarter page

I’ve managed to balance family life, animal care, and writing, with few stumbles. I’ve been fortunate to meet a great many talented writers and artists as the years have gone past, and worked with companies that make me incredible proud. At Alterna, The Black Hand features the story of a young woman with partial deafness whose black hand empowers her to slay the undead.

With Inverse Press artist Amanda Rachels and I tackle Flesh of White, the story of a mother protecting her son with albinism from the witch doctors in Tanzania. I also write the ongoing series Wonderland at Zenescope Entertainment, which follows Alice’s daughter’s twisted adventures on the other side of the looking glass.

The characters and their stories will never let go. And why would I want them to?

DIY Black Widow Fix for My Daughter: #WeWantWidow Too

I am sure you have all seen the hashtag #WeWantWidow going around, imploring Marvel to include more of the Black Widow character not only in merchandising, but to the collective Avengers movie universe.

A movement is growing. It was exciting to get the update from our friends at Legion of about the Black Widow Flash Mob that took place on June 6. The idea was created by Kristin Rielly, founder and editor of Geek Girl Network. The outcry was sparked by the Avengers: Age of Ultron’s lack of the Black Widow character. The voices included female Disney and Marvel fans from around the country, coming together to take change in their own hands.

My four-year-old’s untimely demand (most of them do come when I am in the shower) seems to be right in step with this social media uprising.

Left: Target Avengers hat, with no Black Widow Photo: Melody Mooney. Right: Target Let’s Go pink girls’ shirt. Photo:

So after my shower, we went searching for Avenger team items. The cute hat above was found at Target and did not include Black Widow. Sadly, it didn’t shock me. I think I had gotten used to the gender inequality when it comes to finding female Marvel, DC, or Star Wars characters in merchandise from local stores. Most of Ella’s geekware items have been purchased in the “boys” section. In all fairness to Target, just this summer there has been a recent influx of superhero clothing, so they seem to be taking steps to offer more for girls and women. One was even found that included Black Widow. It’s a good start.

Photo: Melody Mooney

Choosing to get the hat, I asked Ella why she thought Black Widow was not on it. Her answer was, “She was off saving people and saving Hulk and Captain America.”

We decided to add her to the hat ourselves. We found a picture of Black Widow in Ella’s Captain America: The Winter Solider coloring book. It was chosen because it had her on the cover. Coloring the picture together, I mentioned that sometimes if we want to change things, we need to find solutions and do it ourselves.

Maybe someday Ella will be writing for Marvel or designing clothing. She might be packing up this hat as a sentimental reminder of her youth on her first astronaut mission to Mars. Those DIY, problem-solving skills may just come in handy if her mission team needs something important mended.

Whatever her future, it is my hope as her GeekMom that she remembers that she is the architect of her own life and to put on a towel before jumping out the shower with ideas to change the world.

In her own way, she is joining in by saying #WeWantWidow too.

Marvel Avengers hat with Black Widow inserted. Photo: Melody Mooney.

Passion and History in ‘She Makes Comics’

Image by Respect! Films

Being a geek is becoming more and more mainstream. Yet there are still stereotypes of what makes a geek a “geek.” Being a comic book fan is a quintessential sign, and often linked to the old-school idea of socially-inept, single guys. For women who proclaim their love of comics (like me), it’s just…strange.

But that is changing. I was just invited to a Fan Girls Night Out at my local comic store by another mom who is also into comics. There are more of us than you realize. And although it may seem new to the mainstream world, it is far from abnormal. The history of women in comics as both fans and within the industry stretches back to the beginning.

The new documentary She Makes Comics is an eye-opening and heartfelt look at women within the history of comics, and I highly recommend watching it. The film is directed by Marisa Stotter and produced by Patrick Meaney and Jordan Rennert of Respect!Films. It is executive produced by Sequart’s Julian Darius and Mike Phillips and by Columbia University comics librarian Karen Green. It is a series of interwoven interviews of passionate people with different roles and points of view. My teenage son and I watched it together, finding it informative and entertaining.

Did you know that women and men made up equal numbers of comic book readership before the 1950s? American comics were about many topics, had various settings, and reflected every possible interest. By the ’70s, women readers started to drop off dramatically, partly due to the focus on male superheroes as the best-seller comic book theme, as well as the feminist movement awakening a generation of women who were tired of the same “wedding bliss” ending. An underground women’s comic movement began, and it was fascinating listening to the creators talk about it on camera: both the excitement and the fears.

Several women really changed the comic book world, from Wendy Pini, the original chain-mail bikini awesome cosplayer who then created ElfQuest, to Janette Kahn, former publisher of DC who broke the glass ceiling, to Gail Simone, notable comic writer, and author of Women in Refrigerators, an unapologetic look at how female characters are unfairly treated in comic stories, to Kelly Sue DeConnick, the creator of the hugely popular female Captain Marvel, and many more.

How do women get into comics in the first place? Better comics. The consensus of the interviewees was: Give us a variety of women featured, complex characters, and in-depth storytelling. As an X-Men fan, it was cool to know how many other women in this film cited that series as their turn-on to the whole genre. The fact that the male creator of the series had two female editors makes sense. Neil Gaiman’s Sandman was another “gateway” comic, again, with a female editor. In fact, that editor, Karen Berger, is credited with developing the talents of some of the biggest names in comics for the past several decades.

I personally got into comics in the 1990s, and was quite alone. I took my two young children to the comic book store and was the only female there, let alone a mother. I found it interesting to hear about that time period. The film talked about how more women were getting into the creative side of comics then, but still not equally represented by a long-shot. The industry was not welcome to women or women-centered stories, but also, women are not as confidant in promoting themselves.

Comics used to be sold in supermarkets and bookstores, but then only in specific comic stores that were (and mostly still are) very much a bachelor den of boob posters and all-male staff who assume a girl is only there because she is dating a comic book fan. In 1994, a support organization for women in comics was created called Friends of Lulu which put out a book helping comic book stores understand how to attract more females to their stores—why shut out the biggest consumers in the country? The internet ushered in a huge change. This has given women a place to connect, collaborate, and share their love of comics. The film also mentions the influence of the manga craze during that time as well, with comics targeted to girls.

There is so much to this film, but what stood out to me most was the passion of the people interviewed, and the range of ages. I loved hearing from the elder pioneers in the industry, as well as the younger talents of today. Inspiring the next generation of comic creators came up a lot, and is something I support wholeheartedly. Everyone should be able to express themselves in whatever medium suits them best, boys and girls. Check out the film!

She Makes Comics is now available to order on DVD and as a digital download at

GeekMom received a copy for review purposes.

The Cliffs of Insanity: Cake Tastes GOOD

Hello, gorgeous. Where have you been all my life? photo © Marvel Entertainment

Welcome to this week’s adventures climbing the cliffs of insanity.

In the past week, I suffered through a nasty winter storm and the even nastier experience of having my cat, Smokey, toss his cookies all over my 2009 MacBook Pro. No, it’s not pining for the fjords. It’s an ex-MacBook. A replacement has been made and that’s a story all by itself, one suited for Valentine’s Day.

But not having access to my word processing program this week sent me pondering and that’s how cake, the feminist comic Bitch Planet, Jill LePore’s new book on the origin of Wonder Woman, and Marvel’s Agent Carter all rolled around in my head to make me happy.

Several years ago, I flew from the East Coast to Hollywood in the middle of winter for a press junket. Now, I’m not a fussy person with traveling. I’m good with a clean, warm room, a bed, and wifi. I’ve been known to prefer Motel 6 to a Marriott because the Motel 6 doesn’t charge for wifi and they provide free breakfast.

Non compliant. Yes. cover via Image Comics

But this press junket was all expenses paid. A limo met me at LAX and drove me to the front door of the Four Seasons Hotel in Beverly Hills. I was impressed but not overwhelmed because I’ve been to nice lobbies before for conferences.

But when I walked into the room at the Four Seasons, my eyes bugged out. And when I checked out the bathroom, far more luxurious than in any home I’ve ever lived, I thought, “Being rich doesn’t suck.” And now when I stay at the Motel 6 or the Holiday Inn or even at the Waldorf-Astoria in New York City, I know exactly what I’m missing.

The Four Seasons is the whole cake. No more crumbs.

Marvel’s Agent Carter and Bitch Planet are the whole cake to the crumbs of female story-lines doled out on The Flash or Arrow or the coherent, clear vision sometimes missing from Marvel’s Agents of S.H.I.E.L.D and definitely missing from Gotham.

They’re not just the whole cake, they’re the frosting too.

Peggy Carter is the heroine I’ve been waiting for on television, not someone occasionally pushed forward for a cool moment or two. This is her show, she owns it. Yes, there are men in the show and, yes, I find some of them fascinating (hi, Jarvis), but there are also other women, some friends of Peggy, some clearly not. Peggy showed me what I’ve been missing.

Bitch Planet is about all kinds of women, in prison, and in the real world, and it promises to be a story about them, not just how they relate to men. It showed me what feminist commentary on society’s need to curtail women’s freedoms looks like.

Sorry, Laurel, too little, too late. Image via CW
Sorry, Laurel, too little, too late. Image © CW

And, while I can do just fine staying at the Motel 6 from now on because, really, I just need a warm, clean bed and wifi when I travel, I’m no longer content with crumbs from my entertainment. It’s hard to go back to Iris West having one snarky moment, or Laurel Lance finally putting on a costume as a side character, or Barbara Kean not even being allowed to leave her room, or the female side-characters (sometimes scantily dressed) that tend to populate mainstream superhero comics after seeing what I’m missing.

I like cake. I like icing.

S’more please. And not just for me. For others who never see themselves on screen or have to wait for the bits and pieces instead of the whole cake. We need more LGBT characters in mainstream media. We need more people of color. Why? Because having just experienced what it’s like to have the whole cake, I know that everyone deserves the same feeling.

Our society is full up of main courses and desserts for those who look like the people running mainstream media.

It’s time for cake for the rest of us.

The Cliffs of Insanity: Internet Bullying

Wonder Woman #25 cover by Aaron Lopresti, copyright DC Comics
Wonder Woman #25 cover by Aaron Lopresti, copyright DC Comics

Welcome to this week’s adventures climbing the cliffs of insanity. This week was a banner one for the internet, as a former DC editor who happened to be female had the unmitigated gall to criticize the composition of an upcoming DC cover and received rape threats for her professional opinion.

That brought out defenders and yet another talk about the sexual harassment women face in comics and on the internet. Why do we keep having this discussion? Because even now, some men still ask, “Do men really talk to women on the internet this way?” (Warning: Some obscene language in that thread, some of it by me.)

But the talk got me thinking about message boards and comment threads. And I kept running one question over and over in my mind—why are bullying and general harassment, especially toward anyone non-straight, non-white, non-male—allowed in many internet public spaces?

We’ve all seen it. Don’t Read the Comments! people say. And I’m wondering two things:

1. Why are we allowing those kinds of comments to be published in a public space in the first place?

2. If we want to allow those comments so as to bring the attitudes into the light, why are we allowing them to go unchallenged? If the trolls take over the comment threads, pushing out any reasonable discussion, doesn’t that let the bullies win? So why do we let them?

To backtrack, I want to define “public space” not as a space run NOT by the government but a space where the general public is allowed to comment, especially on spaces run as commercial enterprises to allow public discourse. If a private individual wants to run their site and allow whatever they want, that’s one thing.

Teen Titans #1 Cover by George Perez, copyright DC Comics
Teen Titans #1 Cover by George Perez, copyright DC Comics, which we can all agree is awesome.

But if, a commercial website, opens forums to allow discussion, that’s another.

Because in the latter case, I’m saying that website has a responsibility to not allow the inmates to run the asylum.

When I worked for daily and weekly newspapers, we used to get letters to the editor. Those letters wouldn’t be published in the newspaper if they were obviously insulting, profane, or anonymous. There were standards for letters to the editor. In some case, we published anonymous letters but only if we knew and had vetted the identity of the letter writer.

Basically, the newspapers had standards. Those standards were in place because the paper was giving a public forum to someone and felt a responsibility to keep that forum a civil place. (To say nothing of vetting facts so the newspaper couldn’t be sued.) All that went by the wayside with the rise of the internet. Even comments on reputable newspaper websites aren’t held to that high standard.

In some ways, this is a good thing, because people can now talk directly to each other without getting approval from a third party.

In some ways, this is a bad thing because people can now talk directly to each other.


And with that ability to hide, the horrible side of some humans take hold and we get rape threats over an opinion about a comic book cover. Or we get a small group of people who can basically drive women away from whole sites that talk about comics. I’d love to go back to or even over to to talk comics. But my experience at CBR ended badly, with an entire forum being moved, and the comment threads at Bleeding Cool are basically a cesspool, especially if one has the gall to point out that maybe women or minorities or gays in comics or movies are not portrayed as well as they could be.

Why should I have to avoid these sites? Why should this small subset of humanity basically drive all the reasonable people away? Why should I have to risk sexual harassment on those boards in order to talk about comics?

Answer: I shouldn’t. No one should.

Which brings us back to our two choices. Either moderation that drives away the bullies violating Wheaton’s Law—Don’t Be a Dick—or taking on the bullies head on until they’re the ones feeling unsafe in that space. Ban them. Require them to put their name behind their words. Call them out. Something.

Because silence equals assent, as was made clear in this column, “Fake Geek Guys” at Comics Alliance by Andy Khouri.

Guys out there reading this column, if a women or LGBT individual or a non-white person is picked on in a public forum for who they are and you do nothing to defend them, the targeted individual is going to think they have no allies, that they’re alone, that no one basically gives a crap. And I can’t argue with that reasoning.

Women and others in these groups are used to having each other’s backs. But we get tired of always having to do it. If you really think this kind of thing is vile and want to stamp it out, if you really do give a damn, step up, not back.

Speak up instead of shrugging. Suggest the person doing the harassing go away instead of telling the target not to read and get worked up over that stuff.

And websites, unless you want others to naturally assume those people doing the harassing represent your website and what it’s all about, do something.

Wonder Woman: The Comic Needs To Go Back To Feminist Roots

Wonder Woman, Cliff Chiang
Wonder Woman by Cliff Chiang, from her current series, copyright DC Comics

I originally wrote this article during the time that Gail Simone was writing the Wonder Woman monthly comic. Since then, Wonder Woman’s comic has undergone two more reboots that made things progressively worse.

The first reboot was an aborted attempt by J. Michael Straczynski, who left the project before it was finished, and it ended up going nowhere.  The second reboot is currently ongoing in Wonder Woman and is written by Brian Azzarello with art by Cliff Chiang.
Continue reading Wonder Woman: The Comic Needs To Go Back To Feminist Roots

Congrats to Young Women Artists! Part Five

Photo used with permission

Kelsie Ladd is the second oldest in her family of artists. She is fifteen years old and was kind enough to answer my questions about the Womanthology book and herself.

How did you find out about the Womanthology project?
A few years ago, while visiting a comic book convention, I met an amazing female artist named Renae De Liz. I really enjoyed talking to her, she gave me support, tips and encouraged me to keep drawing. When Womanthology was created she invited me and my sisters to be a part of it. And of course, we eagerly accepted.

What was your process for selecting the pieces to submit?
We started by illustrating different costumes for each character. Having several ideas for their outfits, we voted on our favorite designs. Since we got to do a two-page story, as soon as we all finished reading the script, my sisters and I divided up the pages. Then I got some scrap paper and began drawing how I wanted my comic page to look. When I got that all figured out, I redrew the whole thing on better paper. Once my part was finished, we added my younger sister’s art to it, and then we submitted it.

What are your thoughts on the whole Womanthology project?
I think it’s wonderful. It’s a great way to let the world know that there are females out there who enjoy writing, drawing, coloring, inking and/or reading comics! For me, (thanks to my dad) I had been reading comics almost my whole life. He was a big comic fan and introduced us to some of his favorites. After reading them, I picked up the habit of drawing and doodling on whatever I could get my hands on. As I grew older, I knew that art was something that I would want to pursue. Womanthology has definitely given me a chance to live my dream, and I hope other women will feel inspired to do the same.

Do you have a favorite time and/or place to do your art?
Yes, I do. I enjoy drawing the most either early in the morning or late at night. I also find myself more productive on rainy days. As for a favorite location to draw, I’d have to say anywhere outside (given, the weather is nice), otherwise, I just hang around the house and draw.

What/who inspires you? Where do you get your ideas?
A lot of things inspire me, especially my family, friends and music. — Many of my ideas come from personal experiences and wishful thinking.

What are your future artistic plans and/or career hopes?
I love art! It’s something I would love to continue doing for the rest of my life. Whether as a career, or as a hobby. It’s something that I never want to give up on. I’m hoping to someday write my own comic and maybe even go into animation.

Part of the reason Womanthology was started is because women artists have a hard time being respected in the comics industry. What do you think about that? If you or another young girl is interested in being a comic artist, what do you think could help change this problem?
It is true. Women who want to be in the comic industry don’t get very much recognition. It’s just one of those things where comics were originally created by men, so women who want to get into the comic industry often get overlooked. We just need to let the world know that we are interested in it. We gotta keep writing and keep drawing! We’ll get there. 😉

Thanks, Kelsi!

The Tipping Point: Girls, Geeks, Sexualization and How It Starts So Young

This winter, I wrote a column called “The Tipping Point,” about how geek and nerd society has reached the point where so many women have become involved that even though the resistance is there, integration is inevitable, especially in comics and gaming.

The reactions some men have to this integration, especially the call for more three-dimensional characters in gaming and comics, can best be seen in the comments to “Nerds and Male Privilege” an article at Kotaku.

The article is written by a man who’s seen the pattern of rejection of valid complaints over and over, to the point where he predicted exactly what comments his subject would receive.

One of the major objections I’ve seen over and over is “well, why should women care about games or comics meant for men?” and that one is in the comments to the article as well.

There’s nothing inherently male about wanting to game or indulge in a  superhero fantasy. They both offer a chance to do something adventurous and out-of-this-world.

And I always wonder exactly when those who object think will change if the women become more three-dimensional and less prone to sexualization and being reduced to only a sex object. Would that somehow ruin the game?

Is sexualizing and marginalizing women an essential element of superheroes or gaming?

I can’t see any reason why it should be and I can’t see how making the women as fully realized characters as the men will harm these things. It’s not as if Hermione being a strong character somehow ruined Harry Potter or having Sarah Conner in the Terminator movies ruined those.

But there’s another reason this attitude of “hey, it’s just for me and you should find your other stuff” bothers me and it’s one I didn’t realize exist until recently.

It’s because this male gaze that views women more as sex objects than people filters down to the kids, even to the instruction books for children who want to draw comics. This has to change.

Recently, my twelve-year-old son has taken up drawing in a manga style and he’s putting together a web comic. He’s been going through art instruction books, both for children and adults, at a fast clip. Most of them are great and have been very helpful.

But there are some problems and he found them and pointed them out to me.

He showed me a section from Anime Mania by Christopher Hart, a book of art instruction that was shelved in the children’s section of the local library. I mention that because this is obviously an instruction book meant for older children and teens, not adults. The Barnes & Noble biography says Hart is Watson-Guptil’s top selling author. This book is obviously one many budding artists turn to for instruction. My son said the book is very helpful and information in many ways. Except one.

My son wanted to learn the right way to draw his female manga character standing.

What he found was a drawing of a women in a shower wearing a bikini. No biggie, I thought at first. He has to learn female anatomy. *Please note, I’m not objecting to female nudity or near-nudity, especially as it’s an art instruction book. That is not the problem. I say that explicitly because I can already predict responses to this article will be “uptight mom objects to nudity in art books.” No, that’s not it at all. He’s learning to draw. He needs to learn anatomy.

The problem is that the nearly nude and sexually suggestive poses exclusively feature a woman.  There were no naked or near-naked instruction panels that portrayed men in showers. Or shirtless or in a swimsuit. And neither, as my son pointed out,  were there any women seated at computer desks, like the man sitting at the computer on the page opposite the woman in the shower, to illustrate sitting.

Any art student has to learn the nude form–and this was a mild version of it. I have no problems with that.

It’s the disparity in how the woman was presented versus how the man was presented that is the problem. She was in the shower. He was doing something for his work. Already, in an instruction book for young artists, she’s becoming sexualized and he’s being seen as doing something, well, useful.

I can hear the objections already. It was just one page. There’s some great instructions elsewhere in the book that don’t make this mistake.

Overall, it’s a very good book. It even features art from Colleen Doran.

But that doesn’t mean this page wasn’t a mistake that reinforces a serious problem in the way women overall are depicted in mainstream comics and gaming.

I’ve also often heard people say of cheesecake art that the men are idealized too.

But there’s a difference between “idealized” and “sexualized.” And sometimes it gets ridiculous when all sorts of cover shots on comics that aren’t rated mature feature overly sexualized women and yet a simple cover shot of a woman breastfeeding was enough to send a well-known artist into an uproar this week.

Because obviously covers that feature sexualized women are okay but breast-feeding where little is shown? Oh noes! Think of the children! (Note: Dave Dorman has taken down the post about the comic cover without explanation so you won’t find it at the link in the Comics Alliance story linked above.)

The bottom line is that there are subtle–probably subconscious–signals to new artists that this over-sexualization is the way to draw women.

The men look idealized and powerful. The woman looks sexual.

What’s encouraging is that my son recognized it on his own and brought it to my attention, meaning that talking about with kids can make a difference.

GeekGirlCon is This Weekend…See You There?

Be still my heart! There is actually a convention for us girls now! It’s in Seattle, so those of you on the East Coast have a ways to trek it (haha, I made a geek funny), but there is indeed a convention made “just for her” and it’s called GeekGirlCon!

That said, I’m dragging my husband with me this weekend to the maiden-voyage of the event. I was looking forward to the GeekGirlCONcert, but it is on Friday night and we won’t make it into Seattle until Saturday. The rest of the weekend proves to be just as entertaining though, with celebrities like Star Wars crafter Bonnie Burton and TV writer Jane Espenson. (I might have a small geek-out if I meet either of these ladies this weekend.) D&D  blogger and podcaster @SarahDarkMagic will also be there, and I’m crossing my fingers to run into her and meet her in person (since I have been following her on Twitter FOREVER).

There are a slew of workshops and games to play in the gaming room. With names like Steve Jackson and Looney Labs on the playlist and workshops like “How to Paint a Miniature,” I have a feeling a major part of our weekend will be spent here (since our daughter will be attending too).

There is a Masquerade on Saturday that my daughter and I might take part in or at least attend for photos. We will be wearing our matching Pokémon skirts that were a hit at PAX, but whether we make it depends how tired we are by Saturday evening.

My list of vendors to visit is HUGE. I’m quickly becoming a comic book fan as my daughter is interested in them too. There will be several female comic book authors and artists there to visit. I’m also looking forward to seeing what the Cute Factory is all about and Geek Stained Glass.

Finally, Sunday I will be moderating the Geeks Raising Geeks panel. Panelists include Nancy HolderBelle HolderCarrie GoldmanKatie GoldmanJenn FujikawaSharon Feliciano, and Stephanie Kaloi.

If you are going to be in Seattle this weekend, I hope to see you there. I will be tweeting (@GamerMom1_0) if I can get reception on my phone. Be sure to say hello!

Wonder Woman Gets Dropped by NBC

Was this picture the downfall of Wonder Woman? (Image: Justin Lubin/NBC)

The much criticized, much discussed David E. Kelley version of Wonder Women has been dropped by NBC.

There has been a lot of speculation and discussion about the new Wonder Woman television series that was in development. A few months ago there were quite a bit of drama over the new Wonder Woman costume that got the geek community up in arms.

But there hasn’t been much heard about this show since the costume was changed. But it was announced yesterday that NBC has decided not to move forward with this show.

You can read more about the demise of David E. Kelley’s Wonder Woman on