The School Of Life


The school Of Life, bibliotherapy,
"Dream" Jaume Plensa Wikipedia


How do I deal with my stress?

Why isn’t this relationship happy?

When will I find work that makes use of my gifts?

What can I do to make the world a better place?

Imagine a storefront that exists to help you explore the answers. Not one-size-fits-all pop culture pablum but deep and meaningful ways to think about your questions using visual arts, philosophy, literature, and social sciences.

There is such a place. Currently only one, in London. It’s called The School of Life.  It’s a dogma-free zone started and run by writers, artists, philosophers, and others drawn to wisdom in all its forms. They urge us to keep asking questions of our lives and of art, letting these explorations stretch, delight, and energize us. The programs they offer help seekers connect with other curious and open-minded people.

At The School of Life  you’ll find Secular Sermons, big ideas by big thinkers like Susan Greenfield on Storytelling, Karen Armstrong on Compassion, Lawrence Krauss on Cosmic Connections, and Rebecca Solnit on Hope.

They offer psychotherapy as an avenue of personal enlightenment.  Or that can be sought through bibliotherapy: book prescriptions custom-designed with your reading history, dilemmas, and desires in mind.

The place is also teeming with activity beyond the sit still and think variety. There are engaging programs with transformative potential and weekend adventures developed by scientists, artists, and others.  Oh, and what they call Utopian Feasts, described this way.

In the mediaeval utopia of Cockaygne, ready-to-eat larks fly into your mouth and the sky rains cheese. While we can’t take you there, we will transport you to feast in alternative idea—worlds where you can fuel up on brain-fodder, feed your creativity, debate ideas and design a better future.  The Feasts combine extraordinary conceptual catering with a menu of conversation ideas.  Each is guided by an expert in the history of ideas…

As you surely do as well, my friends and I have long cobbled together what I realize now is our own version of The School of Life as we brainstorm, create, discuss, and share our love of the arts. But I want in the worst way to see more of these places everywhere in a world that needs to ask more questions, look for more meaning, and joyously include others in that search. I find hope in this recent interview with one of the founders, Alain De Botton. He notes their efforts have met with extraordinary success and they see it expanding all over the world.


Geek Celebrates Hanukkah With Science: Day Seven

Of all the science experiments we’ve done for Hanukkah this year, and last year, this one is probably the easiest to set up and demonstrate. It also turns into a very satisfying toy.

The Cartesian Diver (named after René Descartes) is not only easy to build and fun to play with, it also opens the door to discussions about fluid pressure, fish anatomy, the foundations of modern science, and even a little philosophy.

The instructions for this experiment are simple (materials are in bold):

  • Fill a plastic soda bottle almost to the top with water.
  • Cut a drinking straw in half, and bend one half in the middle.
  • Use a paperclip to keep the bent straw from unbending.
  • Form a blob of modeling clay onto the exposed curve of the paperclip.
  • Drop your ‘diver’ into the bottle of water.
  • Tightly close the lid.
  • Squeeze the bottle.
  • Play!

Steampunk Philosophy

© Dave Clifton 2011

A few weeks ago I had the great pleasure to host a steampunk discussion at Mythic Faire, a fantasy/myth/alt culture convention that features live music, masquerade balls and special guests. I had a stellar time, both as a guest and an attendee, with the steampunk panel discussion being the highlight of my weekend. I  type “panel discussion” with a bit of a smirk, because truth be told it was just me up there on the dais.  Every faire or convention has it’s little surprises and this wasn’t the first time I’ve found myself without panel partners. Thankfully I’m an experienced public speaker with a background in theater and improv, so crowds of people wearing expectant expressions don’t generally intimidate me. And hey, at least I know how to make an entrance.

The great thing about doing a panel discussion on your own is that you have the freedom to turn what would be an “us talking at all of you” experience into an “all of us talking to each other” experience. So that’s what we did. The result was a lively and informative discussion on the deep roots and underlying philosophy of steampunk. Beyond top hats and goggles, beyond modded keyboards and brassy rayguns, beyond cos-play, corsets, and Lord and Lady RPG – what exactly is at the heart of steampunk?

What we discovered as we explored this topic together is that to many of us (certainly to the people present in the room that day) steampunk is so much more then a simple aesthetic. It’s a philosophy for life. Steampunkian principles can be applied to any aspect of your life. A commitment to self sufficiency and the creativity of the individual, support of small and local business, respect of artisanship and traditional materials are core steampunk concepts. Hardcore steampunk enthusiasts tend towards a longing to downsize the material aspects of their lives, while simultaneously demanding more function, better design and romantic execution of the objects they choose to have around them.

In fact you might say that the steampunk philosophy could be summed up in this golden rule:

‘Have nothing in your houses that you do not know to be useful, or believe to be beautiful‘

Guess who said that?

William Morris, the Victorian era designer and founder of the Arts and Crafts movement.

I firmly believe that steampunk as a philosophy has it’s deepest roots in the Arts and Crafts Movement of the 1860s. This movement was largely a backlash to the Industrial Revolution of the early 1800s. Arts and Crafts philosophy favored the skilled work of human hands and master craftsman over mass-produced and commercially made items. It was this same debate that dominated the discussion at Mythic Faire. Is the value of an object inherent only on it’s surface? What about how, or where the piece was made? Is an object steampunk because you’ve glued cogs to it, or because of it’s purpose? It’s this very same discussion that spurred on the development of glorious movements of art and design that we so treasure today. 150 years later we are having the same debates over mass produced imported goods, versus locally made and artisanal items. It’s a good debate, with complex questions and few simple answers.

For my part I enjoyed the lively discussion that manifested and look forward to exploring the connection that steampunk philosophy has to current social and economic issues more in the future. What are your thoughts? Share them in the comments!

Editor’s Note: There’s still time to enter to win one of Brigid’s Steampunk figurines! Deadline for the giveaway is Sunday night.